It’s hard to say what it is that keeps taking me back to Bratislava… apart from second-time visitors to Budapest wanting to broaden their horizons. For some very strange reason, I’m in love with the city.
I don’t think I could live there though… yet there’s something strangely cathartic about getting off the train after 2.5 hours of journeying through the Hungarian and Slovakian countryside and stepping into the world of John le Carré. It’s like being back in the Cold War…or at least what I imagine being in the Cold War would have been like. It’s not the best side of the city by any means. Generally hustling with all sorts – backpackers, touristy tourists, local commuters, shoppers, and the usual hang-abouters that come with every train station – it’s far from picturesque. Concrete just doesn’t cut it when it comes to atmosphere. Still, though, there is something in the air. Slovakia joined the eurozone in January this year and I missed that bit of excitement this time around. There’s something rather magical about getting used to new money; the temporary suspension of reality when you just spend and hope for the best, having tried in vain to come up with an easy denominator to make the calculations easy.
The No. 13 tram takes you down into the old town – the historic centre – and close enough to my hotel of choice, the Kyjev. The lift takes minutes to get to the top floor and when you step inside, you step back in time about thirty years. My imagination runs riot and again, I can see spies around every corner. I love it. Nothing has been touched in years. This is in sharp contrast to the old town, where modern sculptures have been plonked in random places.
I’ve been to Bratislava four times now, and each time have made a valiant effort to light a candle in the Cathedral. Only it’s never been open to the public. I’ve been on varying days – Monday, Thursday, Friday, Sunday and each time it’s been closed. Right next door to this rather splendid tribute to Catholicism is a far more intriguing building that is overshadowed by its neighbour. Personally, I think it has more character; better reflects the mood of the people; and for me, symbolises the arty side of old age. If it were a poem, it would be Jenny Joseph’s When I am an old woman, I shall wear purple.
You have to hand it to the Bratislavans – they take any and every opportunity available to art it. The day I was there, we came across a bunch of lads who had just taken part in a choral competition. While waiting outside on the street to be summoned for their photocall, they started singing. Beautiful a cappella. The jury is out on who enjoyed it more: the singers or those fortunate enough to happen past at that moment. That is Bratislava. You never quite know what’s around the next corner. It’s not somewhere to spend a week – a day and a night are plenty – yet no two days or two nights are quite the same.